If we were to explore the creative spirit of Syrian feminism in art, with the assumption that creativity has gender and nationality, we might follow a methodology of thinking similar to that adopted by novelist Virginia Woolf at the start of the 20th century or that adopted by the art historian Linda Nochlin in the 1970s. The subject of women and creativity is not limited to particular geographies or societies: it touches us all.
https://www.atassifoundation.com/projects/a-study-on-feminism-in-syrian-art